Dungan-language radio

The state radio station of Kyrgyzstan offers a weekly broadcast in Dungan, which is basically a spin-off of northwestern Mandarin with lots of loan words from Persian, Arabic, and Russian. Of particular interest is that the language — which, permit me to note again, is basically Mandarin — is written with an alphabet (at present, one based on the Cyrillic alphabet). Chinese characters are of course not necessary and are not used. For details of the language, script, and people, see Implications of the Soviet Dungan Script for Chinese Language Reform, by Victor H. Mair, and Ethnolinguistic Notes on the Dungan, by Lisa E. Husmann and William S-Y. Wang (available online in Schriftfestschrift: Essays in Honor of John DeFrancis on His Eightieth Birthday, pp. 71-84).

The Dungan radio show is broadcast on Mondays between 6:35 and 7:05 p.m., Taipei time (4:35-5:05 a.m. U.S. central standard time). The show usually starts closer to 6:40 and ends about 7:03.

I made a recording of the latest broadcast (Dec. 31, 2007): Dungan radio broadcast (23 MB mp3).

[Here’s another: Dungan radio broadcast, January 14, 2008 (23 MB mp3).]

I mainly understand words, not entire sentences, though my comprehension improves a little with repeated listenings.

This Kyrgyz radio station (Кыргызское радио) is available through at least three different Internet links:

  1. www.radio.kg/RadioKTR.asx
  2. www.radio.kg/RadioKTR.ram
  3. mms://212.42.102.212:8554/RadioKTR, which is what you get by using the “Kyrgyz radio” link on the Web site for the State Broadcast Company of the Kyrgyz Republic

I have had the best luck with link no. 1.

I made the recording with Total Recorder for Windows and edited it in Audacity.

I’ve heard that Mac users can get good results with Audio Hijack.

Assimilation of Roman letters into the Chinese writing system: 1994 study

The latest rerelease from Sino-Platonic Papers is The Sino-Alphabet: The Assimilation of Roman Letters into the Chinese Writing System (2.3 MB PDF), by Mark Hansell. This was first published in May 1994. Since then, of course, Roman letters have come to be used even more widely in texts written otherwise in Chinese characters.

Here is the introduction:

One of the most striking changes in written Chinese in recent years is the increasingly common use of the Roman alphabet in both loanwords and native coinages. To modern urbanites, vocabulary such as MTV, PVC, kǎlā OK, and B xíng gānyán are not exotica, but are the stuff of everyday life. The explosion of alphabetically-written lexical items is made possible by the systematic assimilation of the Roman alphabet into the standard repertoire of Chinese reader/writers, to create what I have called the “Sino-alphabet”. This paper explores both the formal structure and the function of the Sino-alphabet. Structurally, the Sino-alphabet represents the adaptation of the English alphabet to the Chinese system in terms of 1) discreteness and 2) directionality. Chinese characters (henceforth “Sinograms”) are “discrete” in that each graph represents an independent chunk of phonological material, influenced very little by its neighbors. Roman letters, in contrast, are non-discrete because only in combination with other letters can they form meaningful units of speech. The use of Roman letters as fully discrete entities sets the Sino-alphabet apart from the Roman alphabet as used in other languages, and makes possible its assimilation into the Chinese writing system. In terms of directionality, the Sino-alphabet exhibits the full range of options that are present in Chinese: left-to-right, top-to-bottom, and right-to-left; while the traditional Roman alphabet as used in the West never allows the right-to-left direction.

The main function of the Sino-alphabet has been the adaptation of graphic loans from English. Graphic borrowing has a long tradition in Chinese; for example, graphic loans from Japanese have contributed a great deal to the modern Chinese lexicon (e.g. 科學, 經濟, 幹部 and hundreds of others). The emergence of English as the main source of loan vocabulary, as well as schooling that has exposed the mass of the population to the Roman alphabet, laid the groundwork for graphic borrowing of English vocabulary .Increasing graphic borrowing solidified the position of the Sino-alphabet, which in turn made possible more borrowing. Now firmly established, the Sino-alphabet is available for other functions such as transliteration of foreign or dialectal sounds.

The adaptation of Roman letters into the Chinese system would seem to highlight the difference between alphabetic and morpho-syllabic types of writing systems. Yet it also shows that Roman letters are not inherently alphabetic, and can quite easily change type when borrowed. Throughout the history of writing, the creativity and flexibility of writers and readers have overcome radical structural differences between writing systems and between languages. The development of the Sino-alphabet is proof that the peculiar structure of the Chinese writing system presents no impediment to the internationalization of the Chinese language.

This is issue no. 45 of Sino-Platonic Papers.

English + Chinese characters for Cantonese: Number 1!

Andy Lau being presented with the calligraphy scroll discussed in this postJoel of Danwei has posted about an interesting calligraphy scroll presented to Hong Kong superstar Andy Lau.

The characters read “You Are No. 1!”

That’s not a translation: the Cantonese pronunciation of the characters 腰呀冧吧温! (”yiu a nam ba wan!”) approximates the English sentence.

I just love stuff like this.

Read in Mandarin this is just gibberish, especially the character .

Read the whole post for details.

The technique also recalls the cover of Visible Speech, by John DeFrancis, which renders part of the Gettysburg Address phonetically in various scripts, some more closely than others (see the bottom line for Chinese characters with Mandarin pronunciations):
'four score and seven years ago' in lots of different scripts

source: If you can read this, you’re Number One!, Danwei, December 6, 2007

Compensation for kanji-input basic technology subject of lawsuit

A Japanese man who says he invented the technology behind the context-based conversion of a sentence written solely in kana into one in both kanji and kana, as well as another related technology, filed suit against Toshiba on December 7, seeking some US$2.3 million in compensation from his former employer.

Shinya Amano, a professor at Shonan Institute of Technology, said in a written complaint that although the firm received patents for the technologies in conjunction with him and three others and paid him tens of thousands of yen annually in remuneration, he actually developed the technologies alone.

Amano is claiming 10 percent of an estimated ¥2.6 billion in profit Toshiba made in 1996 and 1997 — much higher than the roughly ¥230,000 he was actually awarded for the work over the two-year span.

His claim is believed valid, taking into account the statute of limitations and the terms of the patents.

“This is not about the sum of the money — I filed the suit for my honor,” Amano said in a press conference after bringing the case to the Tokyo District Court.

“Japan is a technology-oriented country, but engineers are treated too lightly here,” he said.

Toshiba said through its public relations office that it believes it paid Amano fair compensation in line with company policy. The company declined to comment on the lawsuit before receiving the complaint in writing.

Amano claims that he invented the technology that converts a sentence composed of kana alone into a sentence composed of both kanji and kana by assessing its context, and another technology needed to prioritize kanji previously used in such conversions.

Using theories of artificial intelligence, the two technologies developed in 1977 and 1978 are still used today in most Japanese word-processing software, he said.

source: Word-processor inventor sues Toshiba over redress, Kyodo News, via Japan Times, December 9, 2007

Panama moves toward compulsory Mandarin in schools

A bill that would make the teaching of Mandarin compulsory in all schools in Panama has passed the first of three readings in the Panamanian National Assembly.

In looking for details on this, I found a document on the Panamanian National Assembly’s Web site from September 5, 2005: Que Establece la Enseñanza Obligatoria del Idioma Mandarín, en los Centros Educativos Oficiales y Particulares del Primer y Segundo Nivel de Enseñanza y Se Dictan Otras Disposiciones (PDF).

If that represents the draft that was passed yesterday, here is a quote that may provide important information:

El Ministerio de Educación establecerá la carga horaria necesaria, que garantice el aprendizaje efectivo del idioma desde los primeros niveles de enseñanza, lo cual implica que el estudiante que culmina el bachillerato pueda comunicarse verbalmente y por escrito en mandarín. (emphasis added)

So this isn’t just for spoken Mandarin. Students who gain a bachillerato would be expected to be able to not only speak but also write Mandarin. (Can someone help clarify just what level a bachillerato represents?)

As much as I would like for more people around the world to learn Mandarin, it’s necessary to be blunt here: If the legislators and educators of Panama expect all of that country’s students to achieve literacy in Mandarin through Chinese characters, they are not only living in a fantasy world but also setting up what will certainly be a monumental and expensive failure. If this means, as it probably does, literacy in Chinese characters, the students of Panama have a whole world of frustration waiting for them.

Certainly some students will succeed. But the percent who do will never make it into double digits. Moreover, requiring Mandarin for everyone is not practical but a massive overestimation of the need for Panamanians to be able to communicate in Mandarin. I do not say that is how things ought to be, just that that is how they are … and how they will remain for many years to come. From a practical point of view, which is what legislators ought to be taking when imposing universal requirements, having a high level of English matters much, much more than having a high level of Mandarin, though certainly programs need to be widely available to provide students with the choice to learn Mandarin.

For another approach to the question of achieving literacy in Mandarin, let’s look at the case of Singapore. The majority of those in the city-state are ethnic Chinese, many of whom are native speakers of various Sinitic languages. There’s no shortage of money for education; and there’s no shortage of Mandarin classes or teachers. Official statistics there state that in the year 2000:

  • 82.2 percent of the literate ethnic Chinese population was literate in at least Mandarin
  • 0.7 percent of the literate ethnic Indian population was literate in at least Mandarin
  • 0.3 percent of the literate ethnic Malay population was literate in at least Mandarin

If nearly 20 percent of Singapore’s literate ethnic Chinese population is not literate in Mandarin, and less than 1 percent of the literate ethnic Malay and Indian populations is literate in Mandarin, what chance does Panama think it has of having this succeed with its own decidedly non-Chinese population?

Note: It’s going to be a little tricky to figure out the details of some of Panama’s plan because references to “China” may well be to Taiwan, which Panama recognizes as the Republic of China. So sometimes “China” will mean China (PRC), and sometimes “China” will mean Taiwan (ROC). Expect confusion in news stories about this.

additional sources:

Du Ponceau online

Pinyin Info has long made available a selection from Peter S. Du Ponceau’s groundbreaking work on the nature of Chinese characters.

Google Print now offers the complete text of this book: A dissertation on the nature and character of the Chinese system of writing. (Also available as a 14.3 MB PDF.) This was first published in 1838; and if more people had paid attention to it the ideographic myth might well have perished then instead of flourishing to continue to plague us today.

Here is a fuller version of the title:

A Dissertation on the Nature and Character of the Chinese System of Writing, in a Letter to John Vaughan, esq … To which are Subjoined, a Vocabulary of the Cochinchinese Language by Father Joseph Morrone, R.C. Missionary at Saigon, … And a Cochinchinese and Latin Dictionary, in Use Among the R.C. Missions in Cochinchina.

Du Ponceau also did important work on some Native American languages and served as president of the American Philosophical Society for seventeen years. That organization continues its tradition of inducting distinguished members (MS Word document).

Alternate versions of Du Ponceau’s name: Peter Stephen DuPonceau and Pierre-Etienne Du Ponceau.

stroke counts: Taiwan vs. China

One of the myths about Chinese characters is that for each character there is One True Way and One True Way Only for it to be written, with a specific number of specific strokes in a certain specific and invariable order. Generally speaking, characters are indeed taught with standard stroke orders with certain numbers of strokes (the patterns help make it less difficult to remember how characters are written) — but these can vary from place to place, though the characters may look the same. Moreover, people often write characters in their own fashion, though they may not always be aware of this.

Michael Kaplan of Microsoft recently examined the stroke data from standards bodies in China for all 70,195 “ideographs” [sic] in Unicode 5.0 and compared it against “the 54,195 ideographs for which stroke count data was provided by Taiwan standards bodies” to see how how much of a difference there was in the stroke counts for the characters that both sides provided data for.

(I’m a bit surprised the two sides have compiled such extensive lists, and I’d love to see them. But that’s another matter.)

He found that 9,768 of these characters (18 percent) have different stroke counts between the two standards, with 9,045 characters differing by 1 stroke, 675 characters by 2 strokes, 44 characters by 3 strokes, 2 characters by 4 strokes, 1 character by 5 strokes, and 1 character by 6 strokes.

Note: This is about stroke counts of matching characters, not about differing stroke counts for traditional and “simplified” characters — e.g., not 國 (11 strokes) vs 国 (8 strokes).

So, is this a case of chabuduoism, or of truly differing standards? The answer is not yet fully clear; but be sure to read Kaplan’s post and the comments there.

sources and additional info: